Revelations explores the origins, scope, and aspirations of Arbus's wholly original voice. Arbus’s frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world.
The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career. It also includes a new contribution by Sarah Meister, executive director of Aperture, alongside essays by Sandra S. Phillips, senior curator of photography, emeritus, at the San Francisco Museum of Modern Art, and a discussion of Arbus’s printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. An extensive chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist’s eldest daughter, is illustrated by more than three hundred additional images and composed primarily of excerpts from the artist’s letters, notebooks, and other writings, amounting to a kind of autobiography. An afterword by Doon Arbus precedes biographical entries on the photographer’s friends and colleagues, compiled by Jeff L. Rosenheim, curator in charge of the Department of Photographs at the Metropolitan Museum of Art, New York. These texts help illuminate the meaning of Diane Arbus’s controversial and astonishing vision.
Diane Arbus (1923–1971; born in New York) revolutionized the terms of the art she practiced. In addition to Diane Arbus: Revelations, four other volumes of her work have been published posthumously and have remained continuously in print: Diane Arbus: An Aperture Monograph (1972), Untitled: Diane Arbus (1995), Diane Arbus: A Chronology (2011), and Diane Arbus: A box of 10 photographs (2018, with Smithsonian American Art Museum).
24.77 x 3.51 x 31.75 cm